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The topography of the experimental short film resembles an almost confusing diffuse landscape through which the most diverse audiovisual stories meander. Narrative discourses, structural fractures and exploratory confrontations with new dimensions of reality expand the film language precisely through the work of independent film artists in the open space of independent film productions. Unbound to the restrictions of economic evaluation processes, energetic, explosive film works are created, which, inspired by Amos Vogel's concept of film as subversive art, represent highly individual, inspiring and reflexive interventions of the short film.

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Some say the sun disappeared from the sky in an instant, some say it happened gradually. The world was left without the sun in the sky, and the only way to survive was to cover up everything in bright artificial lights, light created to bury as much darkness as possible. The lights have replaced the need for the sun now, and people have even started to forget about it. Now, even talking about the darkness is taboo. But an artist, Sneha, feels out of place in this strange new world of dancing lights, and her only comfort is the myth that there is still a place, hidden from plain sight, where you can see the sun again. Nobody knows where this place is, or how to get there, and most believe it only exists as a myth.

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